Alhambra

The Alhambra (, Spanish: [aˈlambɾa]; Arabic: الْحَمْرَاء, romanized: al-ḥamrāʼ ) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture.

The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction...Read more

The Alhambra (, Spanish: [aˈlambɾa]; Arabic: الْحَمْرَاء, romanized: al-ḥamrāʼ ) is a palace and fortress complex located in Granada, Andalusia, Spain. It is one of the most famous monuments of Islamic architecture and one of the best-preserved palaces of the historic Islamic world, in addition to containing notable examples of Spanish Renaissance architecture.

The complex was begun in 1238 by Muhammad I Ibn al-Ahmar, the first Nasrid emir and founder of the Emirate of Granada, the last Muslim state of Al-Andalus. It was built on the Sabika hill, an outcrop of the Sierra Nevada which had been the site of earlier fortresses and of the 11th-century palace of Samuel ibn Naghrillah. Later Nasrid rulers continuously modified the site. The most significant construction campaigns, which gave the royal palaces much of their definitive character, took place in the 14th century during the reigns of Yusuf I and Muhammad V. After the conclusion of the Christian Reconquista in 1492, the site became the Royal Court of Ferdinand and Isabella (where Christopher Columbus received royal endorsement for his expedition), and the palaces were partially altered. In 1526, Charles V commissioned a new Renaissance-style palace in direct juxtaposition with the Nasrid palaces, but it was left uncompleted in the early 17th century. After being allowed to fall into disrepair for centuries, with its buildings occupied by squatters, the Alhambra was rediscovered following the defeat of Napoleon I, whose troops destroyed parts of the site. The rediscoverers were first British intellectuals and then other American and Northern European Romantic travelers. The most influential of them was Washington Irving, whose Tales of the Alhambra (1832) brought international attention to the site. The Alhambra was one of the first Islamic monuments to become the object of modern scientific study and has been the subject of numerous restorations since the 19th century. It is now one of Spain's major tourist attractions and a UNESCO World Heritage Site.

During the Nasrid era, the Alhambra was a self-contained city separate from the rest of Granada below. It contained most of the amenities of a Muslim city such as a Friday mosque, hammams (public baths), roads, houses, artisan workshops, a tannery, and a sophisticated water supply system. As a royal city and citadel, it contained at least six major palaces, most of them located along the northern edge where they commanded views over the Albaicín quarter. The most famous and best-preserved are the Mexuar, the Comares Palace, the Palace of the Lions, and the Partal Palace, which form the main attraction to visitors today. The other palaces are known from historical sources and from modern excavations. At the Alhambra's western tip is the Alcazaba fortress. Multiple smaller towers and fortified gates are also located along the Alhambra's walls. Outside the Alhambra walls and located nearby to the east is the Generalife, a former Nasrid country estate and summer palace accompanied by historic orchards and modern landscaped gardens.

The architecture of the Nasrid palaces reflects the tradition of Moorish architecture developed over previous centuries. It is characterized by the use of the courtyard as a central space and basic unit around which other halls and rooms were organized. Courtyards typically had water features at their center, such as a reflective pool or a fountain. Decoration was focused on the inside of the building and was executed primarily with tile mosaics on lower walls and carved stucco on the upper walls. Geometric patterns, vegetal motifs, and Arabic inscriptions were the main types of decorative motifs. Additionally, "stalactite"-like sculpting, known as muqarnas, was used for three-dimensional features like vaulted ceilings.

Origins and early history  Remains of the Puente del Cadí (formerly Bāb al-Difāf), an 11th-century Zirid fortification that enabled soldiers on the Sabika hill to access the river during times of siege

The evidence for a Roman presence is unclear but archeologists have found remains of ancient foundations on the Sabika hill.[1] A fortress or citadel, probably dating from the Visigothic period, existed on the hill in the 9th century.[2] The first reference to the Qal‘at al-Ḥamra was during the battles between the Arabs and the Muladies during the rule of ‘Abdallah ibn Muhammad (r. 888–912). According to surviving documents from the era, the red castle was quite small, and its walls were not capable of deterring an army intent on conquering. The first reference to al-Ḥamrāʼ  came in lines of poetry attached to an arrow shot over the ramparts, recorded by Ibn Hayyan (d. 1076):

"Deserted and roofless are the houses of our enemies;
  Invaded by the autumnal rains, traversed by impetuous winds;
Let them within the red castle (Kalat al hamra) hold their mischievous councils;
  Perdition and woe surround them on every side."[3]

At the beginning of the 11th century, the region of Granada was dominated by the Zirids, a Sanhaja Berber group and offshoot of the Zirids who ruled parts of North Africa. When the Caliphate of Córdoba collapsed after 1009 and the Fitna (civil war) began, the Zirid leader Zawi ben Ziri established an independent kingdom for himself, the Taifa of Granada.[4] The Zirids built their citadel and palace, known as the al-Qaṣaba al-Qadīma ("Old Citadel" or "Old Palace"), on the hill now occupied by the Albaicín neighborhood.[4][2] It was connected to two other fortresses on the Sabika and Mauror hills to the south.[2] On the Darro River, between the Zirid citadel and the Sabika hill, was a sluice gate called Bāb al-Difāf ("Gate of the Tambourines"),[a] which could be closed to retain water if needed.[5][6] This gate was part of the fortification connecting the Zirid citadel with the fortress on the Sabika hill and it also formed part of a coracha (from Arabic qawraja), a type of fortification allowing soldiers from the fortress to access the river and bring back water even during times of siege.[5] The Sabika hill fortress, also known as al-Qasaba al-Jadida ("the New Citadel"), was later used for the foundations of the current Alcazaba of the Alhambra.[2][7][8] Under the Zirid kings Habbus ibn Maksan and Badis, the most powerful figure in the kingdom was the Jewish administrator known as Samuel ha-Nagid (in Hebrew) or Isma'il ibn Nagrilla (in Arabic).[9] Samuel built his own palace on the Sabika hill, possibly on the site of the current palaces, although nothing remains of it. It reportedly included gardens and water features.[7][b]

Nasrid period  Islamic calligraphy in the Mexuar Hall: و لا غالب إلا الله, "There is no victor but God", a motto used by the Nasrid dynasty[14]

The period of the Taifa kingdoms, during which the Zirids ruled, came to an end with the conquest of al-Andalus by the Almoravids from North Africa during the late 11th century. In the mid-12th century they were followed by the Almohads. After 1228 Almohad rule collapsed and local rulers and factions emerged again across the territory of Al-Andalus.[15] With the Reconquista in full swing, the Christian kingdoms of Castile and Aragon – under kings Ferdinand III and James I, respectively – made major conquests across al-Andalus. Castile captured Cordoba in 1236 and Seville in 1248. Meanwhile, Ibn al-Ahmar (Muhammad I) established what became the last and longest reigning Muslim dynasty in the Iberian peninsula, the Nasrids, who ruled the Emirate of Granada.[16] Ibn al-Ahmar was a relatively new political player in the region and likely came from a modest background, but he was able to win the support and consent of multiple Muslim settlements under threat from the Castilian advance.[17] Upon settling in Granada in 1238, Ibn al-Ahmar initially resided in the old citadel of the Zirids on the Albaicin hill, but that same year he began construction of the Alhambra as a new residence and citadel.[4][2] According to an Arabic manuscript since published as the Anónimo de Madrid y Copenhague,[18]

This year, 1238 Abdallah ibn al-Ahmar climbed to the place called "the Alhambra". He examined it, marked the foundations of a castle and left someone in charge of directing the work, and before that year had passed, the construction of the ramparts was completed; water was brought in from the river and a channel carrying the water was built (...)

 The Court of the Lions in 1871

During the reign of the Nasrid Dynasty, the Alhambra was transformed into a palatine city, complete with an irrigation system composed of aqueducts and water channels that provided water for the complex and for other nearby countryside palaces such as the Generalife.[19][20] Previously, the old fortresses on the hill had been dependent on rainwater collected from the cistern near the Alcazaba and on what could be brought up from the Darro River below.[20][21] The creation of the Sultan's Canal (Arabic: ساقلتة السلطان, romanized: Saqiyat al-Sultan), which brought water from the mountains to the east, solidified the identity of the Alhambra as a palace-city rather than a defensive and ascetic structure. This first hydraulic system was expanded afterwards and included two long water channels and several sophisticated elevation devices to bring water onto the plateau.[20]

Later Nasrid rulers after Ibn al-Ahmar continuously modified the site. Along with the fragile materials themselves, which needed regular repairs, this makes the exact chronology of its development difficult to determine.[22][23] The only elements preserved from the time of Ibn al-Ahmar are some of the fortification walls, particularly the Alcazaba at the western end of the complex.[24][25] Ibn al-Ahmar did not have time to complete any major new palaces and he may have initially lived in one of the towers of the Alcazaba, before later moving to a modest house on the site of the current Palace of Charles V.[26] The oldest major palace for which some remains have been preserved is the structure known as the Palacio del Partal Alto, in an elevated location near the center of the complex, which probably dates from the reign of Ibn al-Ahmar's son, Muhammad II (r. 1273–1302).[24] To the south was the Palace of the Abencerrajes, and to the east was another private palace, known as the Palace of the Convent of San Francisco,[c] both of which were probably also originally constructed during the time of Muhammad II.[24] Muhammad III (r. 1302–1309) erected the Partal Palace, parts of which are still standing today, as well as the Alhambra's main (congregational) mosque (on the site of the current Church of Santa Maria de la Alhambra).[24][25] The Partal Palace is the earliest known palace to be built along the northern walls of the complex, with views onto the city below.[24] It is also the oldest Nasrid palace still standing today.[28]

Isma'il I (r. 1314–1325) undertook a significant remodeling of the Alhambra. His reign marked the beginning of the "classical" period of Nasrid architecture, during which many major monuments in the Alhambra were begun and decorative styles were consolidated.[29][30][2] Isma'il decided to build a new palace complex just east of the Alcazaba to serve as the official palace of the sultan and the state, known as the Qaṣr al-Sultan or Dār al-Mulk.[29] The core of this complex was the Comares Palace, while another wing of the palace, the Mexuar, extended to the west.[31] The Comares Baths are the best-preserved element from this initial construction, as the rest of the palace was further modified by his successors. Near the main mosque Isma'il I also created the Rawda, the dynastic mausoleum of the Nasrids, of which only partial remains are preserved.[24] Yusuf I (r. 1333–1354) carried out further work on the Comares Palace, including the construction of the Hall of Ambassadors and other works around the current Mexuar. He also built the Alhambra's main gate, the Puerta de la Justicia, and the Torre de la Cautiva, one of several small towers with richly-decorated rooms along the northern walls.[32][25]

Muhammad V's reign (1354–1391, with interruptions) marked the political and cultural apogee of the Nasrid emirate as well as the apogee of Nasrid architecture.[33][34] Particularly during his second reign (after 1362), there was a stylistic shift towards more innovative architectural layouts and an extensive use of complex muqarnas vaulting.[34][30][35] His most significant contribution to the Alhambra was the construction of the Palace of the Lions to the east of the Comares Palace in an area previously occupied by gardens. He also remodeled the Mexuar, created the highly decorated "Comares Façade" in the Patio del Cuarto Dorado, and redecorated the Court of the Myrtles, giving these areas much of their final appearance.[36] After Muhammad V, relatively little major construction work occurred in the Alhambra. One exception is the Torre de las Infantas, which dates from the time of Muhammad VII (1392–1408).[24] The 15th century saw the Nasrid dynasty in decline and in turmoil, with few significant construction projects and a more repetitive, less innovative style of architecture.[37][30]

Reconquista and Christian Spanish period  The Torre de la Polvóra at the Alcazaba, an example of a tower reinforced with curved ramparts in the 16th century to better defend against modern artillery[38]

The last Nasrid sultan, Muhammad XII of Granada, surrendered the Emirate of Granada in January 1492, without the Alhambra itself being attacked, when the forces of the Catholic Monarchs, King Ferdinand II of Aragon and Queen Isabella I of Castile, took the surrounding territory with a force of overwhelming numbers. Muhammad XII moved the remains of his ancestors from the complex, as was verified by Leopoldo Torres Balbás in 1925, when he found seventy empty tombs.[39] The remains are now likely to be located in Mondújar in the principality of Lecrín.[40][41]

After the conquest, the Alhambra became a royal palace and property of the Spanish Crown. Isabella and Ferdinand initially took up residence here and stayed in Granada for several months, up until 25 May 1492.[42] It was during this stay that two major events happened. On 31 March the monarchs signed the Alhambra Decree, which ordered the expulsion of all Jews in Spain who refused to convert.[43][42] Christopher Columbus, who had also been present to witness the surrender of Granada, presented his plans for an expedition across the Atlantic to the monarchs in the Hall of Ambassadors and on 17 April they signed the contract which set the terms for the expedition which landed in the Americas later that year.[42][44]

The new Christian rulers began to make additions and alterations to the palace complex. The governorship of the Alhambra was entrusted to the Tendilla family, who were given one of the Nasrid palaces, the Palacio del Partal Alto (near the Partal Palace), to use as family residence. Iñigo López de Mendoza y Quiñones (d. 1515), the second Count of Tendilla, was present in Ferdinand II's entourage when Muhammad XII surrendered the keys to the Alhambra and he became the Alhambra's first Spanish governor.[45] For almost 24 years after the conquest he made repairs and modifications to its fortifications in order to better protect it against gunpowder artillery attacks. Multiple towers and fortifications – such as the Torre de Siete Suelos, the Torre de las Cabezas, and the Torres Bermejas – were built or reinforced in this period, as seen by the addition of semi-round bastions.[45] In 1512 the Count was also awarded the property of Mondéjar and subsequently passed on the title of Marquis of Mondéjar to his descendants.[45]

 The Renaissance-style Palace of Charles V, begun in 1527 but left unfinished after 1637. This 1890 photograph shows the roof still missing over the upper floor.

Charles V (r. 1516–1556) visited the Alhambra in 1526 with his wife Isabella of Portugal and decided to convert it into a royal residence for his use. He rebuilt or modified portions of the Nasrid palaces to serve as royal apartments, a process which began in 1528 and was completed in 1537.[46][47] He also demolished a part of the Comares Palace to make way for a monumental new palace, known as the Palace of Charles V, designed in the Renaissance style of the period. Construction of the palace began in 1527 but it was eventually left unfinished after 1637.[48]

The governorship of the Tendilla-Mondéjar family came to an end in 1717–1718, when Philip V confiscated the family's properties in the Alhambra and dismissed the Marquis of Mondéjar, José de Mendoza Ibáñez de Segovia (1657–1734), from his position as mayor (alcaide) of the Alhambra, in retaliation for the Marquis opposing him in the War of the Spanish Succession.[49] The departure of the Tendilla-Mondéjar family marked the beginning of the Alhambra's most severe period of decline. During this period the Spanish state dedicated few resources to it and its management was taken over by self-interested local governors who lived with their families inside the neglected palaces.[50]

Over subsequent years the Alhambra was further damaged. Between 1810 and 1812 Granada was occupied by Napoleon's army during the Peninsular War.[51] The French troops, under the command of Count Sebastiani,[52] occupied the Alhambra as a fortified position and caused significant damage to the monument.[53] Upon evacuating the city, they attempted to dynamite the whole complex to prevent it from being re-used as a fortified position. They successfully blew up eight towers before the remaining fuses were disabled by Spanish soldier José Garcia, whose actions saved what remains today.[53] In 1821, an earthquake caused further damage.[52]

Recovery and modern restorations  A Court in the Alhambra at the Time of the Moors, Edwin Lord Weeks, 1876

Restoration work was undertaken in 1828 by the architect José Contreras, endowed in 1830 by Ferdinand VII. After the death of Contreras in 1847, it was continued by his son Rafael (died 1890) and his grandson Mariano Contreras (died 1912).[52][54] In 1830 Washington Irving lived in Granada and wrote his Tales of the Alhambra, first published in 1832, which spurred international interest in southern Spain and in its Islamic-era monuments like the Alhambra (an apartment of which he decorated in New England style).[55][56] Other artists and intellectuals, such as John Frederick Lewis and Owen Jones, helped make the Alhambra into an icon of the era with their writings and illustrations during the 19th century.[56]

 Pavilion in the Court of the Lions in 19th-century photo, showing the "oriental" dome added by Rafael Contreras in 1859, later removed by Leopoldo Torres Balbás

The Contreras family members continued to be the most important architects and conservators of the Alhambra up until 1907.[57] During this period they generally followed a theory of "stylistic restoration", which favoured the construction and addition of elements to make a monument "complete" but not necessarily corresponding to any historical reality. They added elements which they deemed to be representative of what they thought was an "Arabic style", emphasizing the Alhambra's purported "Oriental" character. For example, in 1858–1859 Rafael Contreras and Juan Pugnaire added Persian-looking spherical domes to the Court of the Lions and to the northern portico of the Court of the Myrtles, even though these had nothing to do with Nasrid architecture.[57][58]

In 1868 a revolution deposed Isabella II and the government seized the properties of the Spanish monarchy, including the Alhambra. In 1870 the Alhambra was declared a National Monument of Spain and the state allocated a budget for its conservation, overseen by the Provincial Commission of Monuments.[59] Mariano Contreras, the last of the Contreras architects to serve as director of conservation of the Alhambra, was appointed as architectural curator in April 1890. His tenure was controversial and his conservation strategy attracted criticism from other authorities.[60] In September 1890 a fire destroyed a large part of the Sala de la Barca in the Comares Palace, which highlighted the site's vulnerability.[60][61] A report was commissioned in 1903 which resulted in the creation of a "Special Commission" in 1905 whose task was to oversee conservation and restoration of the Alhambra, but the commission ultimately failed to exercise control due to friction with Contreras.[60][57] In 1907 Mariano Contreras was replaced with Modesto Cendoya, whose work was also criticized. Cendoya began many excavations in search of new artifacts but often left these works unfinished. He restored some important elements of the site, like the water supply system, but neglected others.[62][57][63] Due to continued friction with Cendoya, the Special Commission was dissolved in 1913 and replaced with the council (Patronato) of the Alhambra in 1914, which was charged again with overseeing the site's conservation and Cendoya's work. In 1915 it was linked directly to the Directorate-General of Fine Arts of the Ministry of Public Education (later the Ministry of National Education).[63][62][57] Like Mariano Contreras before him, Cendoya continued to clash with the supervisory body and to obstruct their control. He was eventually dismissed from his post in 1923.[63]

19th century 
21st century 
The Alcazaba before and after 20th-century restoration work

After Cendoya, Leopoldo Torres Balbás was appointed as chief architect from 1923 to 1936. The appointment of Torres Balbás, a trained archeologist and art historian, marked a definitive shift to a more scientific and systematic approach to the Alhambra's conservation.[57][63] He endorsed the principles of the 1931 Athens Charter for the Restoration of Monuments, which emphasized regular maintenance, respect for the work of the past, legal protection for heritage monuments, and the legitimacy of modern techniques and materials in restoration so long as these were visually recognizable.[57] Many of the buildings in the Alhambra were affected by his work. Some of the inaccurate changes and additions made by the Contreras architects were reversed.[64][65] The young architect "opened arcades that had been walled up, re-excavated filled-in pools, replaced missing tiles, completed inscriptions that lacked portions of their stuccoed lettering, and installed a ceiling in the still unfinished palace of Charles V".[66] He also carried out systematic archeological excavations in various parts of the Alhambra, unearthing lost Nasrid structures such as the Palacio del Partal Alto and the Palace of the Abencerrajes which provided deeper insight into the former palace-city as a whole.[57][67]

The work of Torres Balbás was continued by his assistant, Francisco Prieto Moreno, who was the chief architectural curator from 1936 to 1970.[68] In 1940 a new Council of the Alhambra was created to oversee the site, which has remained in charge ever since.[d] In 1984 the central government in Madrid transferred responsibility for the site to the Regional Government of Andalusia and in 1986 new statutes and documents were developed to regulate the planning and protection of the site.[70] In 1984 the Alhambra and Generalife were also listed as a UNESCO World Heritage Site.[71] The Alhambra is now one of the most popular tourist destinations in Spain. Research, archeological investigations, and restoration works have also remained ongoing into the 21st century.[72]

^ López 2011, p. 293. ^ a b c d e f g Cite error: The named reference :24 was invoked but never defined (see the help page). ^ Calvert, Albert Frederick; Hartley, C. Gasquoine (Catherine Gasquoine) (1908). Granada, present and bygone. University of California Libraries. London : J. M. Dent & co. ^ a b c Cite error: The named reference :05222 was invoked but never defined (see the help page). ^ a b c Rėklaitytė 2021, p. 443-445. ^ Rodgers & Cavendish 2021, p. 21. ^ a b Arnold 2017, p. 149. ^ López 2011, pp. 81, 293. ^ Catlos, Brian A. (2018). Kingdoms of Faith: A New History of Islamic Spain. New York: Basic Books. pp. 216–220. ISBN 9780465055876. Archived from the original on 17 November 2021. Retrieved 17 November 2021. ^ Bargebuhr, Frederick P. (1956). "The Alhambra Palace of the Eleventh Century". Journal of the Warburg and Courtauld Institutes. 19 (3–4): 192–258. doi:10.2307/750296. JSTOR 750296. S2CID 190612778. ^ Scheindlin, Raymond P. (1993–1994). "El poema de Ibn Gabirol y la fuente de los leones". Cuadernos de la Alhambra. 29–30: 185–190. ^ Ruggles 2000, pp. 164–167. ^ Arnold 2017, p. 283. ^ Dickie 1992, p. 139. ^ Kennedy 1996, pp. 265–267. ^ Bosworth, Clifford Edmund (2004). "The Nasrids or Banu 'l-Ahmar". The New Islamic Dynasties: A Chronological and Genealogical Manual. Edinburgh University Press. ISBN 9780748696482. Archived from the original on 3 September 2021. Retrieved 17 November 2021. ^ Kennedy 1996, pp. 266, 274–276. ^ López 2011, p. 39. ^ López 2011, pp. 239–257. ^ a b c García-Pulido, Luis José (20 June 2016). "The Mastery in Hydraulic Techniques for Water Supply at the Alhambra". Journal of Islamic Studies. 27 (3): 355–382. doi:10.1093/jis/etw016. ISSN 0955-2340. Archived from the original on 19 November 2018. Retrieved 19 November 2018. ^ Martín, Adelaida Martín (2019). "A New Architectural Approach to the Alcazaba and the Torre del Homenaje". Cuadernos de la Alhambra. 48: 175–199. Archived from the original on 28 February 2021. Retrieved 11 April 2022. ^ Bloom 2020, pp. 152–153. ^ Ruggles 2008. ^ a b c d e f g Arnold 2017, p. 236. ^ a b c Bloom 2020, p. 152. ^ Cabanelas Rodríguez 1992, p. 129. ^ López 2011, pp. 180–184. ^ "The Partal". Patronato de la Alhambra y Generalife. Archived from the original on 29 January 2022. Retrieved 28 November 2020. ^ a b Arnold 2017, p. 261. ^ a b c López 2011, p. 295. ^ Arnold 2017, p. 236-238. ^ Arnold 2017, pp. 236, 266, 269, 275. ^ Kennedy 1996, p. 288-292. ^ a b Bloom 2020, p. 164. ^ Arnold 2017, p. 278-279. ^ Arnold 2017, pp. 236, 265, 269, 273. ^ Bloom 2020, p. 152, 164. ^ López 2011, pp. 91–92. ^ "Alhambra sultans: Their tombs". 5 April 2019. Archived from the original on 20 June 2020. Retrieved 18 June 2020. ^ "Where are the Alhambra's monarchs buried?". 21 August 2017. Archived from the original on 17 June 2020. Retrieved 18 June 2020. ^ The Moor's Last Stand: How Seven Centuries of Muslim Rule in Spain Came to an End, Elizabeth Drayson ^ a b c Vincent 2021, p. 168. ^ Coleman 2013, p. 38. ^ Irwin 2004, p. 1, 16-17. ^ a b c López 2011, pp. 297–298. ^ López 2011, pp. 149–159. ^ Dickie 1992, p. 146. ^ López 2011, pp. 69–70. ^ López 2011, p. 299; Dickie 1992, pp. 148–149. ^ López 2011, p. 299. ^ RingSalkinLa Boda 1995, p. 298. ^ a b c Chisholm (1911) ^ a b López 2011, p. 301. ^ "Alhambra | Palace, Fortress, Facts, Map, & Pictures | Britannica". www.britannica.com. Archived from the original on 29 January 2022. Retrieved 25 February 2022. ^ RingSalkinLa Boda 1995, p. 299. ^ a b López 2011, p. 303. ^ a b c d e f g h López 2011, pp. 304–305. ^ Irwin 2004, p. 30-31. ^ López 2011, p. 305. ^ a b c "Mariano Contreras Granja | Real Academia de la Historia". dbe.rah.es. Archived from the original on 25 February 2022. Retrieved 25 February 2022. ^ López 2011, pp. 303–304. ^ a b Ruggles, D. Fairchild (2014). "Inventing the Alhambra". In Roxburgh, David J. (ed.). Envisioning Islamic Art and Architecture: Essays in Honor of Renata Holod. Brill. pp. 1–21. ISBN 978-90-04-28028-1. ^ a b c d "Modesto Tiburcio Cendoya Busquets | Real Academia de la Historia". dbe.rah.es. Archived from the original on 25 February 2022. Retrieved 25 February 2022. ^ López 2011, pp. 135, 142. ^ Irwin 2004, p. 30. ^ Roxburgh, David J. (ed.) (2014). Envisioning Islamic Art and Architecture. Brill. ISBN 9789004280281, pp. 18–19. ^ Arnold 2017, pp. 237–239. ^ López 2011, pp. 304–306. ^ López 2011, p. 307. ^ López 2011, pp. 306–307. ^ Cite error: The named reference UNESCO was invoked but never defined (see the help page). ^ Bloom 2020, pp. 153–155.


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