Grottoes of Ferrand

The Grottoes of Ferrand (French: Grottes de Ferrand) are a series of 17th-century artificial grottoes on the estate of the Château de Ferrand in Saint-Hippolyte, Gironde, in southwestern France, near the town of Saint-Émilion.

Carved out of an escarpment hanging over the road to Saint-Étienne-de-Lisse, the grottoes were designed as a network of interconnected chambers. Originally a lavish folly furnished with salons, bedrooms, orangeries, and shrines to mythic and political figures, the grottoes have long since been plundered and abandoned.

The grottoes were designed and commissioned by Élie de Bétoulaud (1638/9–1709), seigneur of Saint-Pauly, Ferrand, and Jaugue-Blanc, a lawyer and poet who used the pen name “Damon.”[1][2][3] Bétoulaud was connected to the literary set known as the précieuses,[4] whom he met at “Les samedis de Sapho," the influential Paris salon held by his intimate friend Madeleine de Scudéry.[3] Bétoulaud, who never married, built one of the grottoes' two labyrinths in honor of Scudéry.[1]

Grottoes figured prominently in the literary imagination of the précieuses. Like many aristocrats of the period, Bétoulaud was influenced by Honoré d'Urfé's six-part pastoral romance L'Astrée, in which a shepherd named Céladon retreats to a cavern to write love letters to the titular shepherdess. Grottoes also appear in Scudéry's novels Clélie and Artamène.[1] Scudéry describes the Grottoes of Ferrand at length in Nouvelles conversations de morale (1684),[3] in which the character Céphise and her companions visit Damon's “hermitage” near Saint-Émilion where he lives “surrounded by the Muses.”[5]

In his 1705 will, Bétoulaud ordered that his heirs "be bound to use the sum of thirty pounds each year for the cleanliness and upkeep of the magnificent grottoes that I hollowed out as an eternal monument to the glory of King Louis the Great, in the rocks close to the aforementioned house of Ferrand."[1][2][6]

Bétoulaud's heirs neglected the grottoes after his death, and they were gradually forgotten. The busts, seashells, and other décor disappeared, perhaps during the French Revolution, when much of the property of Bétoulaud's descendants was confiscated. Visitors gradually covered the walls with inscriptions, some of which suggest the abandoned grottoes may have been commonly used for clandestine lovers' trysts.[1]

The original purpose of the grottoes was rediscovered in 1868 by the archaeologist Émilien Piganeau, who learned of them from a local farmer.[2] Piganeau initially conjectured that the local name for the caves, "the Grotto of the Druids" (La grotte des Druides), was a folk memory of a subterranean Celtic temple.[2]

^ a b c d e Roquette-Buisson, (Vicomte de) (1908). "Un poète bordelais du XVIIè siècle : Élie de Bétoulaud". Revue philomatique de Bordeaux et du Sud-Ouest (Nov–Dec 1908): 268–295 – via Internet Archive. ^ a b c d Piganeau, Émilien (1892). "Les grottes de Ferrand". Bulletin de la Société archéologique de Bordeaux. XVII: 101–123 – via BnF Gallica. ^ a b c Desgraves, Louis (1960). Évocation du vieux Bordeaux. Paris: Les Éditions de Minuit. p. 92. ASIN B007SNU18S. ^ "Élie de Bétoulaud (1640?-1709)". BnF Gallica. ^ Scudéry, Madeleine de (1692) [1684]. Nouvelles conversations de morale. Vol. 1. The Hague: Jacob van Ellinkhuysen. pp. 173–174. ^ Desgraves, Louis (1998). Inventaire des documents manuscrits des fonds Montesquieu de la bibliothèque municipale de Bordeaux. Geneva: Droz. p. 265. ISBN 9782600002714.
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